In this direction, knowing description is also a fiction of literary matrix, even so does not leave of being a narration of displayed likely facts through a personal style of writing. The probability of veracity, calacada in scientific methods, supplies a version of the credit facts worthy, but that, still yes, it consists amongst one of the possible alternatives of explanation of the past. History while it disciplines has the commitment to supply a picture of the past, of form to convince the reading public, but it also exists a commitment with the bureaucratic techniques and particular methods of each time, questions and the practical ones of receptividade. The commitment in portraying the past through the told facts it is only one alternative amongst as much other possible ones, that it will be reconstructed by the researcher, with the aid of the sources and also of the creativity. In this direction, the reconstruction of the past is task of the gift, from estimated the inherent theoretician-metodolgico to each temporality, of the lived deeply experiences and emotions, respecting the inaccessible reserves of silence, shunting lines and gaps to the researcher. The central objective is to bring for the gift lived absentee e, of this form, power to interpret it, to decode the reality by means of its indications and vestiges, being desired to arrive at those forms for which the humanity expressed it exactly itself and the world. Thus, these representations of the past are presented as imagtica construction, a form of particular knowledge of our society, acting as part of the social reality and contributing to configure it. Each social space is, therefore, endowed with a proper inteligibilidade, permeando norms, interests collective, moral and ethical values, principles of the individuals. To investigate one given social reality estimates to count on a coordinate set of representations, a structure of directions, meanings that circulate between its members, by means of different forms of language.